Enter
 
 
 
 
 
 
 
 
 
 

Italian Rapier -- The Weapon

An Italian Rapier and the Names of its Components.

The Italian rapier is a straight-bladed single-handed sword that saw its apogee in between the 16th and the 17th Centuries. The Italian rapier was perhaps the first single-handed sword in history designed to be safely used without a companion weapon between unarmored opponents. As such, it became the fencing weapon par excellence. The Italian rapier used by Fabris and his contemporaries featured two cutting edges and a point, although some more specialized, thrusting-only rapiers existed throughout the 17th Century. In its earlier form, the rapier hilt featured various patterns of loops and rings; around the mid-1600’s, the predominant rapier hilt was the cup, which is generally associated with Spain and the Spanish dominions.

Although used on the battlefield, the Italian rapier’s main place was at the side of the civilian gentleman and nobleman. Throughout its history, the rapier became the quintessential dueling weapon, only to be replaced by the smallsword and the dueling pistol after a long supremacy of over one hundred years. Throughout the 16th and 17th Centuries, Italian rapier masters were among the most highly-prized martial arts teachers in Europe.

It was fairly typical for an Italian rapier of the time of Fabris to weigh around 2.5lbs, and to feature a blade of 42 inches in length.

Suggestions for further reading and discussion:

Our Italian Rapier Work

A Typical Italian Rapier Hand-parry Accompanied by a Thrust in Contratempo.

Our main Italian rapier work centers on the writings of Salvator Fabris, in honor of whose knightly Order we named our school. While appearing outwardly dynamic and athletic, Fabris’ style enshrines all the art, theory and finesse of Italian rapier fencing.

The teachings of Fabris hinge upon a precise understanding of guards, measure, tempo, strengths and weaknesses of blade-sections and blade-angles, openings and closed lines. Although other masters throughout history explain some of these elements, Fabris describes all of them, and does so with uncommon clarity and unique thoroughness.

An Italian Rapier Action Showing How To Void A Thrust to the Inside and Deliver an Attack in Contratempo.

Fabris’ preference is for actions in tempo. This means that he seldom advocates parrying and riposting as two consecutive movements – rather, he executes them both in one motion, i.e. in a single tempo. The resulting style is typically Italian and, once mastered, is extremely hard for an opponent to defeat.

Thanks in great part to our labor of love, Fabris is gaining numerous followers in the Historical Martial Arts community, and the increasing number of students who are infected by his dynamic style find it extremely effective against any opponent.

Besides Fabris, we also study the other relevant Italian rapier treatises of the time, such as Capoferro, Alfieri, Giganti, Marcelli and others, but we take great care to ensure that our style remains pure.

More Research

Paternoster Translated from the French by Tom Leoni.
The following mini-treatise by Paternoster was included in the 1617 French edition of Geronimo Cavalcabo's rapier text Traite' ou instruction pour tirer des armes.

Unfortunately, the French translator, Seigneur De Villamont, does not give us any further information about the author, a "late Paternoster of Rome". This treatise, however, has impressed us greatly for its brilliance and conciseness, for it enshrines in a few hundred words the essence of rapier play.

Glossary of rapier terms. By Tom Leoni.
A Collection of most of the Italian fencing terms used in the various Renaissance fencing treatises from 1500 onward.

The Fabris Wheel. By Tom Leoni.
A graphical representation of the temporal and theoretical relationship among the different aspects and techniques of the system of swordsmanship described by Salvator Fabris.

Last Updated: 02-May-07